COCTEAU TWINS LYRICS

BLUE BELL KNOLL

 Blue Bell Knoll
 Athol-Brose 
 Carolyn's Fingers
 For Phoebe Still a Baby
 Itchy Glowbo Blow
 Cico Buff
 Suckling the Mender
 Spooning Good Singing Gum
 Kissed Out Red Floatboat
 Ella Megablast Burls Forever
 

ALBUM CREDITS :

 Paul West :Design
Juergen Teller : Photography
Jeremy Tilston :Design
Elizabeth Fraser : Vocals
Robin Guthrie :Guitar
Cocteau Twins :Producer Main Performer

ALBUM REVIEW :

The first cocteaus album to feature a full-band lineup since Treasure was also their first full studio record released in America, resulting from the group's stateside deal with Capitol. Much to longtime fans' surprise, the Twins in fact were much more content with Capitol than 4AD, hinting at their eventual full departure from that label. This was all well and good, but the trio's new inspiration didn't fully translate into their work, unfortunately. WhileBlue bell Knoll has some striking moments that are pure cocteaus at their best -- the opening title track is especially lovely with a keyboard loop leading into Fraser's ever-wonderful vocals, a light rhythm, and a great final Guthire solo -- it's still the band's least noteworthy release since Garlands. The feeling throughout is of a group interested in dressing up older approaches that have served them well, but aren't as distinct; the quite-lush arrangements by Guthire are fine but the songs are a touch more pedestrian.Blue bell Knoll has enough initial steam, however, to ensure that there are reasons to listen, happily. "Athol-Brose" has the inspirational feel that the Twins can easily create. "Carolyn's Fingers," the clear album standout, is perhaps the strongest individual Cocteaus song since "Aikea-Guinea," with Fraser singing against herself over a rough, hip-hop-inspired rhythm while Guthire peels off a fantastic main guitar melody and Raymondaye contributes some supple bass work. After that amazing opening, things slowly but surely slide back a bit; most of the rest sounds okay enough to listen to, but the heartgripping intensity that defines the Twins at their best isn't present.

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